New Introduction, April 2, 2003
I decided to add the following article on “Iqbal and the Intimate Immensities” from my 1998 book, The Creativity Force. The article is offered as a contribution to the public task of understanding today’s desperate need for peace in a world where East and West are so radically and fatally polarized.
The reading and interpretation ofIqbal’s “Javid-Nama” was a course requirement in a doctoral program at United States International University in San Diego in 1984. Now in 2003 the war with Iraq has caused me to revisit the work of this major Islamic poet and philosopher. Iqbal’s vision is a reminder of the universal commonalities of human diversity and the creative powers that may well be the most unifying forces in the global family.
Introduction
Throughout the reading ofIqbal’s “Javid-Nama”, I experienced an intense personal identity with the poetics of self and space that distinguish his writing, and I knew I was finding that quintessence of a thought long familiar and much treasured— The “Intimate Immensities.” Its discovery has given a sense of reality to the otherwise incomprehensible vastness of the heavens. To find so emotional a response to the first piece of Eastern writing I have seriously undertaken, and to link a new poetic experience so absolutely, so immediately, and so intuitively to what has become a personal paradigm has the feeling of something mystical. It is almost as if the system of universal energies caused a synchronistic connection, and brought the East with its organismic, holistic thought into partnership with the more familiar search for universal understanding of the West. A line from the writing is relevant here: For Westerners intelligence is the stuff oflife: for Easterners love is the mystery of all being. I may flatter myself that I understand the thought which Iqbal’s words suggest. That, at least, is my momentary “truth.” Always assumed, of course, is the accompanying principle of uncertainty. In that somewhat amorphous state, the discussion of Javid Nama is approached more as a synthesis of the “intimate immensities” than as an analysis of literature, and somewhere between authority and apology.
Read the original article as a PDF here.